By PACAPAO
Interview With Tanya Huff Author of the Vicki Nelson Vampire Books
Image : http://www.flickr.com
1. Will we see any story lines from the TV series show up in any of your future short stories?
No. The show and the books are two separate creative endeavours. The creators of the show have paid for the right to use the five Vicki Nelson books as the basis for Blood Ties but it doesn’t work in the other direction.
2. Discuss your working relationship with Executive Producer Peter Mohan as well as the writers of Blood Ties.
Although he was under no obligation to do so, Peter has kept me involved from the beginning. He had me come in to the writer’s room early on and talk with the writers about the characters and how they interacted. I was incredibly honoured to have him ask me to write one of the first season episodes — episode nine, STONE COLD — and during that process he was patient and insightful and willing to use time he certainly didn’t have to spare to help me make it the best episode possible. He came into the show loving the books and that’s shown in everything he’s done.
3. While on the set do the actors or director solicit your input?
While I’m on the set, I’m doing my best to stay out of the way. The actors and the director are working — and working very hard, the hours in television are insane — they say hi and then pretty much ignore me.
4. I loved that in the books Henry is a romance writer. Why the change to graphic artist?
Unfortunately, a man — even a man as attractive as Kyle Schmid — sitting and staring at a computer monitor makes for boring visuals. Television is a visual medium and having Henry be a graphic artist opens up a number of different visual possibilities. Henry drawing, the books themselves, the comic book store…
5. When do you actually watch the show. Sunday night with viewers? or do you get a peak beforehand so you can get going on your blog?
Actually, I’m in Canada where the show won’t begin airing until August so I’ve been watching DVDs provided by the wonderful people at Kalidescope. I’ve seen the pilot at least a dozen times and many of the first twelve episodes almost as often. I did rewatch each episode on Sunday night as it aired on Lifetime though and then wrote the blog right after that. (Okay, honesty forces me to admit that I wrote two of them early because I was traveling and they were held until Monday morning.)
6. Discuss your experience as a script writer for Stone Cold compared to writing a Vicki Nelson novel.
Writing a novel is a solitary experience. I go into my office and I write approximately six hours a day for about a year and then I send the completed book to my editor. Writing a script is a collaborative experience — all the writers involved in the show have input, the producers have input, the network has input, and most of all, the people in charge of the check book have input. (There is never enough in the budget to shoot anyone’s initial concept but you might as well aim high.) With the book, there’s almost no change between what I hand in and what you read. But with scripts, change is constant. Scripts aren’t written sequentially, they’re written concurrently so as each one goes before the camera, changes cascade throughout all the following episodes. Peter has rewritten lines of dialogue while the cameras are rolling.
I very much enjoy novel writing but I had an enormous amount of fun writing STONE COLD and I’m incredibly grateful to have been given the opportunity.
7. What is the allure of the paranormal for you?
I originally wrote a vampire novel because I wanted to move out of the city and to do that, I needed a mortgage. I was working in a bookstore at the time and I noticed that vampire readers are incredibly loyal to their genre. They’ll read anything with a set of fangs on the cover in the hope of finding something decent so I thought that if I wrote a good vampire book, I’d have an audience. And I did.
8. What has been done to modernize your Vicki Nelson books for Blood Ties?
One of the few things that really dates the Vicki Nelson books is the total absence of cell phones and the internet. Both have been added to the show. The cultural references are current — instead of mid-90s — although Peter wouldn’t let me have Coreen say, “Dude.” (I’ll try again should I get the chance to write another script.)
9. How has the TV series affected the popularity of the print books? I know they have been republished.
The TV series, particularly the fact that it’s been shown on Lifetime, has brought me a number of new readers. Lifetime’s usual demographic didn’t tend to be fantasy and science fiction readers and although “paranormal romances” have become very popular of late, BLOOD PRICE came out in 1991 — it’s sixteen year old. If it could learn how to parallel park, it could get a driver’s license. There’s a whole generation of readers discovering the books who were way too young to read them the first time around — and many of them seem to be a little annoyed about the ending. This fall, DAW will be republishing the books with Blood Ties tie-in covers.
10. It seems to me that the Vicki Nelson stories followed by Joss Whedon’s Buffy started a trend with strong female lead characters interacting with vampires and told with big dollops of humor. Any thoughts on that?
I’d be thrilled and honoured to be considered a part of any movement that involves Joss Whedon — I’d give the man a kidney if he wanted one. Because I live in the middle of nowhere, I’m a bit out of touch with what’s happening in the genre as a whole but I do know that paranormal romance novels have become one of the top performers in the market and if I was one of the people who kicked that off… well, that’s pretty cool.
11. Anything else you would like to say to the library community about the Vicki Nelson books or the Blood Ties series?
There have been a number of people who have expressed dismay at the changes in the books. I’d like to remind them that the books haven’t changed. No matter what BLOOD TIES does, if it runs for half a dozen seasons or just gets the one, the show doesn’t affect the books. They’re exactly the same as they were when I wrote them and you can reread them any time. If it helps, think of the show as this incredible alternative universe that broadens the mythos as I wrote it rather than detracts from it.
In general, I’d like to say thanks for your support. Libraries pretty much kept me sane while I was growing up and the thought that my books are now in libraries is one of the best parts of the whole business.
Patricia Altner is a freelance writer, researcher, and bibliographer. She has a special interest in vampire and paranormal fiction. This interview also appears in Patricia’s Vampire Notes
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